■Vancouver Ventilator, Complete 6-3-72 Vancouver show.
Opening concert for the 1972 US Tour. Includes rare songs only done
at this venue. Sound quality is
not very good on this. (2CDR)■Complete 6-4-72 Seattle 1st show. Second concert of the
1972 US Tour. Low sound quality. (untitled 2CDR transferred
from audio tape)■Complete 6-4-72 Seattle 2nd show. The source tape for all
of the above bootleg releases. Low generation. Said to be better than
either LP or CD releases. (untitled 2CDR transferred from
audio tape)■6-6-72 San Francisco 1st show. The source tape for all of
the above bootleg releases. (untitled 1CDR transferred from audio
tape)■Mick Taylor is My Darling, 6-6-72 San Francisco 1st show.
Lower generation tape upgrade. This is probably the best
version of this available, though others may disagree. Coupled
with the 6-10-72 Long Beach show. (2CDR)■6-6-72 San Francisco 2nd show ?
(1CDR)■A truly great show recorded in below average
sound quality. Complete 6-8-72 San Francisco 2nd show. Includes "Loving
Cup" and the rare 1972 US Tour encore "Honky Tonk Women"
(untitled 2CDR transferred from audio tape)■The source tape for the above
6-9-72 Hollywood bootleg releases. (untitled 1CDR transferred from NZ audio
tape)■Complete 6-10-72
Long Beach show. The source tape for the above poor sound quality bootlegs.
(untitled 1CDR transferred from audio tape)■Long Beach 1972, Another great performance recorded in poor
sound quality. A shame.
(1CDR)■Mick Taylor is My Darling, Disc 1 is ten tracks from the
6-6-72 San Francisco afternoon show. Disc 2 is the complete
6-10-72 Long Beach show in the same terrible audience quality.
(2CDR)■6-11-72 Los Angeles 1st show. Incredible newly-discovered
upgrade source that began circulating in 2003. A 100%
improvement. We all owe Bill Cravens a nod of gratitude for sharing
this. (untitled 1CDR transferred from audio
tape)■Slay 'Em in L.A., The great new Bill Cravens master
recording on bootleg CD. (1CDR)■Tucson '72, Newly discovered audience tape. Complete
6-14-72 tucson show recorded in much better sound quality.
(1CDR)■Tucson Arizona 14Jun72
(1CDR)■Where Were You in '72?, Acopy of the above SOF bootleg CD
release, combining the 6-15-72 Albuquerque show
and the 7-17-72 Montreal show.
(1CDR)■6-19-72 Chicago show. Audience tape of the above recorded
in about the same quality. Includes 15 minutes of fan
interviews andradio coverage of
the 1972 Chicago concerts. (untitled 1CDR transferred from audio
tape)■6-20-72 Chicago show. Audience tape of the above recorded
in about the same quality. (untitled 1CDR transferred from audio
tape)■6-22-72 Kansas City show. (untitled 1CDR transferred from
audio tape)■Kansas City Here
We Come!, 6-22-72 Kansas City show. Bad night. Worse show of the 1972 US
Tour and the recording is
horrible to boot. After the gig,
Keith arranged the Dallas rehearsals to sharpen the band up a bit.
(1CDR)■6-24-72 Fort Worth 1st show. Complete recording from
audience source. Great sound quality. Includes "Dead
Flowers" and the only
ever live version of
"Sweet Black Angel" (untitled 2CDR transferred from audio
tape)■6-24-72 Fort Worth 2nd show. Complete recording from
audience source. Great sound quality. One of the best
performances of the
entire 1972 US Tour. Includes "Don't Lie to Me" (untitled 2CDR
transferred from audio tape)■6-27-72 Mobile show. source2-2nd
generation. (2CDR)■Dusting Off the Freezer, 6-27-72 Mobile show.
The Freezer remaster on bootleg CD. (1CDR)■6-27-72 Mobile Show.
(1CDR)■6-28-72 Tuscaloosa show. The
source tape for the above two bootleg titles (not actually releases). Sound
quality is terrible. (untitled 1CDR transferred from audio
tape)■Stoned Stone Stones, 6-28-72 Tuscaloosa show. Complete
show recorded in atrociously bad quality. One of the worst
recordings I've ever heard in my entire life.
(1CDR)■6-29-72 Nashville
show. In my opinion, this is the best sounding version of this show
available. (untitled 1CDR transferred from NZ audio tape)■6-29-72 Nashville show. The source tape for the above two
bootleg titles (not actually releases). Sound quality is
terrible. (untitled 1CDR transferred from audio
tape)■Nashville '72, Complete show recorded in atrociously bad
quality. One of the worst recordings I've ever heard in my entire
life.
(1CDR)■Complete audience recording 7-4-72 Washington, DC. This
might be the recording source for the VGP CD
release "Jack Daniel's On Tour" (untitled 1CDR transferred from
audio tape)■7-5-72 Norfolk show. This is the recording source for the
original bootleg LP releases with much more of the concert than what
is on the LP's. (untitled 1CDR transferred from audio
tape)■7-6-72 Charlotte show. This is the tape source for the
above VGP CD "Bring it Back Alive" It is equal to, if not better
than, the bootleg CD release. (untitled 1CDR transferred from
audio tape)■Charlotte 1972, 7-6-72 Charlotte
show.
(1CDR) ■7-7-72 Knoxville show. The tape source for the above
bootleg titles. (untitled 1CDR transferred from audio
tape)■7-11-72 Akron show. A recording of the IMP CD "Akron-Rubber
Bowl '72" with the missing ending tagged on from
another recording source. (untitled 1CDR transferred from audio
tape)■7-11-72 Akron show. Complete show from a new recording
source. There is a significant improvement in sound
quality. (untitled 1CDR transferred from audio
tape)■This is the tape source for the above bootleg titles of the
7-12-72 Indianapolis show. (untitled 1CDR transferred from audio
tape)■The sound quality of this is equal to disc 1 (7-15-72
Toronto 1st show) of the VGP double CD "Standing at the Kitchen Door"
release. (untitled 1CDR transferred from audio
tape)■The sound quality of this is equal to disc 2 (7-15-72
Toronto 2nd show) of the VGP double CD "Standing at the Kitchen Door"
release. (untitled 2CDR transferred from audio
tape)■Incomplete recording of 7-17-72 Montreal show on CDR taken
from audio tape. At this gig the STP equipment truck was
blown-up. (untitled 1CDR transferred from audio
tape)■7-17-72 Montreal show. low generation tape (untitled 1CDR
transferred from audio tape)■7-18-72 Boston show. A new uncirculated recording source
has surfaced after thirty-two years of obscurity. Complete
show recorded in very nice sound quality. A real gem here.
(untitled 1CDR transferred from audio tape)■The Joe Maloney master tape, speed-corrected and in best
possible quality-this is the best version of this recording
source, though not necessarily the best version of the 7-18-72
Boston show itself. (untitled 1CDR transferred from audio
tape)■Out On Bail
'72 (1CDR)■Waiting On the Midnight Ramblers
(1CDR)■7-19-72 Boston show. A new
uncirculated recording source has surfaced after thirty-two years of
obscurity. Incomplete show recorded in very nice quality. With its counterpart
above, a real gem. (untitled 1CDR transferred from audio
tape)■7-19-72 Boston show. (untitled
2CDR transferred from audio tape /
momo+stereo)■Can You Hear the Encore?, Complete 7-20-72 Philadelphia
show recorded in atrociously bad sound quality on bootleg
CD. One of the worst recordings I have ever heard in my
entire life. (2CDR)■7-21-72 Philadelphia 1st show. ? (untitled
1CDR transferred from audio tape)■Philadelphia 07-21-1972 1st
show. (1CDR) SBD■Anyone for Seconds?, Complete Philadelphia 2nd show in
absolutely terrible sound quality. One of the worst
recordings I have ever heard in my entire life.
(1CDR)■Philadelphia 07-21-1972 2nd show. (1CDR)
SBD■7-22-72 Pittsburgh show. Audience recording in atrociously
bad sound quality. One of the worst recordings I've ever
heard in my entire life. (untitled 1CDR transferred from
audio tape)■Sweet Virginia's Saturday Night Smelter's Blues, The
complete 7-22-72 Pittsburgh show from both audience and
soundboard sources. Tracks #1-11 are from audience recording,
tracks #12-17 are from soundboard recording.
(1CDR)■Speed corrected complete audience recording for the 7-24-72
New York show in somewhat better sound quality. As of this
date, this is the best version of this show available.
(untitled 2CDR transferred from audio tape)■Complete audience recording 7-25-72 New York City 1st show
from newly-discovered source. The sound is not very
good, but the performance is pure high energy adrenaline.
(untitled 1CDR Master Source)■Complete
audience recording 7-25-72 New York City 2nd show from newly-discovered
source. The sound is not very
good, but the performance is pure high energy adrenaline.
(untitled 2CDR Master Source)■Welcome to New York (All Sold Out Productions), Yet another
version of the infamous 7-26-72 Madison Square
Garden, New York City, New York (Mick Jagger's birthday concert
& final 1972 US tour show) compiled from multiple sources.
(1CDR)■A Teddy Bear for
Mick, 7-26-72 New York City
show. (2CDR)■Work Sucks…Let's Go on Tour!, Contains excerpts from:
6-24-72 1st & 2nd, 6-25-72 1st & 2nd, 7-20-72, 7-21-72 1st &
2nd, 7-22-72 & 7-26-72,
plus 1972 soundboard remixes, and some 1972 live rarities (in audience quality
only) (8CDR)■Very Ancient, Thank You Kindly (Mickboy Remaster) (Tone
& Frayed Productions T&F 002) (1CDR)■Mick Taylor is in the Mix Vol. 1-3 (no credit)
(3CDR)BACK / NEXT
